According to one 2012 expat survey from HSBC, the following 10 countries are the best to live and work in for 2012: Singapore, Hong Kong, United Arab Emirates (UAE), Mexico, Australia, United States, France, China, Netherlands, and the United Kingdom. See the graphic below from Infographic Labs for more detail.
Chaden Djalali will take over as University of Iowa's dean of the College of Liberal Arts and Sciences in August — and he already has global plans. One of Djalali's main goals is to promote the college's international reputation.
"I am fully committed to help increase international-exchange opportunities for students and faculty," Djalali told The Daily Iowan in an email. "The ever-increasing connectedness of human beings manifests itself everywhere and has profound political, financial, and environmental implications for all of us."
The University of Iowa has awarded the Mayflower Hall Sushi Workshop with Best Educational Program of the Year Award for 2012. Yume Hikada, International Programs' Japan Outreach Coordinator, held the first workshop in February 2011. Its great turnout and enormous success amongst participants led her to conduct a second workshop in February 2012 that attracted over 100 participants.
Originally from Burlington, Iowa, Brandon Jennings has always had an interest in the Middle East. Very soon, he'll have an address in the Greater Middle East.
Jennings, a senior graduating this May with a major in international studies and minors in religious studies, chemistry, and Arabic, was recently awarded the prestigious Critical Language Scholarship (CLS) through the U.S. Department of State Bureau of Educational and Cultural Affairs. He will be going to Morocco for a 10-week program to study Arabic, which is considered a critical language.
As a costume designer in the theater, I feel that my work often is a re-creation of memories. The actors and I create a life for the costumes and the characters, partly based in fact, and partly in imagination.
Working with other theater artists, we construct a world for the audience that they inhabit with the performers during a performance. That is the magic of theater — a shared existence in real time made up of memories and the suspension of disbelief.
There is great sweetness in remembering a work of art, particularly when it is an experience like a theater performance and you are surrounded by a crowd, a community of focused participants all sharing the same time and place.
That is why it is so vital to have theaters, museums and concert halls, both humble and grand, to experience art in community.
Join us for the final WorldCanvass of the 2011-2012 season when we consider the connections between art and memory. Memories live and resonate in both the conscious and unconscious spaces of our experience, but art allows for expression that moves beyond simple narrative. How does a poet draw upon memory? What does a masterful printmaker, painter, musician or writer take from his/her own personal experience and what is sheer imagination? Why is art such a powerful medium for the preservation and expression of a community’s cultural memory?
In this presentation, I trace the roots of Japanese reggae from the early 1970s until the present, focusing on the musical productive strategies through which “J-reggae” has come into being. Among these strategies are incorporation of Japanese musical traditions; creative use of the Japanese language (as opposed to patois); and in the way of artistic self-representation, male dancehall performers’ referencing of the figure of the samurai. I argue that these strategies invoke discourses of the traditional that are deeply interlinked with those of modernity in Japan, a modernity shaped by the specter of Western domination that Japanese, like Jamaicans, have long had to negotiate. I focus, however, on the link between these discourses of the traditional and a contemporary ethos of cultural internationalism in recessionary Japan, in which Japanese reggae practitioners imagine global southern countries like Jamaica as simultaneously signs of these artists’ cultural and sociopolitical cosmopolitanism, but also as tradition-bound and thus instructive symbols of Japan’s own potential rebirth.
Madhavapeddi Murthy, Dancers and Orchestra will be in residence April 16-20 within the UI Department of Dance and UI School of Music. Murthy and his troupe will culminate their residency Friday, April 20, with an open lecture demonstration followed by a public performance at the Space Place Theater.
The University of Iowa Opera Studies Forum (OSF) in International Programs will conclude its 2011-12 lecture series coordinated with the Metropolitan Opera Live in HD theater screenings Monday, April 9, with a talk on Verdi’s “La Traviata” presented by Roberta M. Marvin. All lectures take place at 5:30 p.m. in the University Capitol Centre conference seminar room 2520D and are free and open to the public.
This new consciousness among vernacular publics highlights corruption at all levels of government and the corporate world, while still resisting the hegemonic discourse of economic growth. The talk looks at the recent populist social mobilization (jan andolans) against corruption and its possible grievance mechanism (Jan Lokpal Movement). It analyzes how an urban democratization movement features a competitive struggle among vernacular publics, and how the state and news media struggle over the legitimacy of alternate politics and vernacular public space, as it moves beyond electoral politics but still calls for democratization and transparency in governance.
We’ve had the melting pot and the tossed salad; now we have the stir-fry. The Stir-Fry Project will happen over the next few weeks at the Senior Center of Iowa City. The project is “a collaborative community art project that explores the stories of people who have resettled to Iowa from different countries through collective works of art.” There are workshops in stop-motion animation, mixed media, and printmaking. Community members may participate. The workshops and materials are free, but pre-registration is required. There will be an opening exhibition of the collaborative work on April 27, and the art will remain on display through May.
Abstract: Over the past several decades vernacular music industries in many parts of South Asia have utilized artistic traditions originating in Dalit communities to create marketable commodities of “folk culture.” Why do music industries that celebrate and seek to raise the profile of “folk arts” (lok sangeet) also routinely neglect and exploit regional “folk artists” (lok kalakar)? By attending to the experiences of musicians from three hereditary caste communities in the Garhwal Himalayas—Baddi, Bajgi, and Jagariya—and by interrogating the body politics of a number of mass-mediated representations, this talk will interrogate the idea that new media and vernacular markets have had a democratizing influence on musical practice. Instead, I demonstrate that entrenched and widely-shared conceptions about caste-based status, function, musical style, and mobility continue to influence who is allowed to participate in regional studio recordings, and how they are ultimately represented on video and cassette albums.
Riding on a bus in China one year ago, University of Iowa graduate student Jameela Huq learned that Japan – which she considers like home – had been ravaged by a 9.0-magnitude earthquake and massive tsunami.
Huq said she had called her good friend Aya Hurley – a native of Fukushima, Japan who happened to be in the same city in China that day, wanting to meet up. Hurley delivered the devastating news, Huq said. “She said, ‘I’m looking for my friends and family,’” Huq said. “She was like, ‘Didn’t you hear? A giant tsunami wiped out Fukushima.’”
University of Iowa officials are split on whether recent changes easing restrictions on obtaining U.S. visas have affected international-student enrollment. Earlier this year, President Obama signed an executive order making tourism and travel more accessible in the United States. Those efforts include new initiatives to make the process of applying for a visa more secure and efficient for international travelers and students. These changes have led to the issuance of more than 7.5 million visas in fiscal 2011 — a 17 percent increase over fiscal 2010.
On March 11, 2011, a rising tide of dark water wrapped Japan’s northeastern coast.
The world was gripped by Armageddon-invoking scenes from this highly industrialized nation in east Asia.
After the visual impact of the unprecedented tsunami, there came news of nuclear meltdown in the Fukushima nuclear plant. Japan’s vast northeastern coast — the coastal villages as well as sizable inland areas — was nearly destroyed by the hand of the nature.