An upcoming conference funded by a University of Iowa International Programs Major Project grant will look closely at the status of women in Russia and Eastern Europe in the years since the collapse of the Soviet era.
Music journalist Dave Tompkins will speak about the evolution of the vocoder as a useful tool in World War II to now being the ubiquitous voice of popular music at 4 p.m., Friday, April 1, in Room 2520D, University Capitol Centre.
The “Film After Noir,” series (the Spring 2011 Proseminar in Cinema and Culture) continues this Thursday, March 24, with a screening of Chinatown (1974, Roman Polanski, 130 min.), starting at 7 p.m. in 101 BCSB.
Private investigator Jake Gittes (Jack Nicholson) is hired out of the blue by Evelyn Mulwray to investigate her husband, Hollis Mulwray, whom she suspects is having an affair. Gittes photographs Hollis with a young woman, but when it turns out that the woman was an impostor hired as part of an elaborate set-up, the real Evelyn Mulwray (Faye Dunaway) allows him to continue his investigation. After Hollis is murdered, secrets involving the Mulwray family as well as plans involving the city’s water system come to light. Gittes is caught within mysteries and corruption, whose links he sees only too late.
The “Film After Noir,” series (the Spring 2011 Proseminar in Cinema and Culture) continues this Thursday, Mar. 10, with a screening of Le Samouraï (1967, Jean-Pierre Melville, 101 min), starting at 7 p.m. in 101 BCSB.
Water and its relationship to the environment, global health, development and the rights of individuals and communities will be the topic of the next WorldCanvass on Friday, March 25 in Rm. 2780 of the University Capitol Centre. The event begins at 5:00 p.m. and is free and open to the public.
The painting Endless Flight uses the bright, vivid colors of the Caribbean as it articulates shapes and forms across the surface of the canvas, infusing the piece with life and meaning.
Haitian-born artist Edouard Duval Carrié created this intriguing painting. He will deliver a lecture about his native country at 5 p.m. today in 2520D University Capitol Centre.
The “Film After Noir,” series (the Spring 2011 Proseminar in Cinema and Culture) continues this Thursday, Mar. 3, with a screening of Point Blank (1967, John Boorman, 92 min), starting at 7 p.m. in 101 BCSB.
Point Blank is among the dozen or so films that revised narrative and visual conventions of the classic cycle of film noir between 1958 and 1975. Its non-linear narrative and inventive use of color and sound design evoke elements of the French New Wave and French New Novel between 1955 and 1962.
The “Film After Noir,” series (the Spring 2011 Proseminar in Cinema and Culture) continues this Thursday, Feb. 24, with a screening of Manchurian Candidate (1962, John Frankenheimer, 126 min), starting at 7 p.m. in 101 BCSB.
The Manchurian Candidate remains a unique political thriller that draws on noir elements to culminate a decade of Cold War anxiety films, including Panic in the Streets (dir.: Elian Kazan, 1950), Kiss Me Deadly (dir.: Robert Aldrich, 1955), and Invasion of the Body Snatchers (dir.: Don Siegel, 1956). In this case, the threat to the American republic reaches as far as the nuclear family.
The “Film After Noir,” series (the Spring 2011 Proseminar in Cinema and Culture) continues this Thursday, Feb. 10, with a screening of Kiss Me Deadly (1955, 106 min.), starting at 7 p.m. in 101 BCSB.
Kiss Me Deadly is director Robert Aldrich’s and screenplay writer’s A. I. Bezzeride’s take on Mickey Spillane’s novel of the same title. Private detective Mike Hammer (Ralph Meeker) picks up hitchhiker Christina Bailey on a dark highway in the middle of the night. Soon after, gangsters overtake them, killing Bailey before sending her and an unconscious Hammer over a cliff in Hammer’s pristine white XK120 Jaguar convertible. When Hammer wakes up in a hospital three days later, he senses that Christina must have been involved in something serious. With the help of his assistant, Velda (Maxine Cooper), he sets out to solve the mystery of a box — dubbed “the great whatzit” — whose contents are supposedly worth a fortune.
How did a German Jewish cabaret performer escape the Nazis to become a world-famous artist, feminist and activist?
And why did her estate give her works and papers to the University of Iowa?
Learn the answers to these questions and more by visiting a new UIMA exhibition, Lil Picard and Counterculture New York, and by attending or listening in to the next WorldCanvass program at 5 p.m. Friday in the Old Capitol Museum.
During the first day of class, I asked students enrolled in my survey course on the Islamic civilization to think of an important event from around the world. The first student to speak pointed out the return of a dictator to Haiti. The second student said that China flying its first Stealth airplane was a very significant event. Three other students spoke, pointing out various events, before a student mentioned the ongoing Tunisian revolution.
I asked how many students had even a vague idea about what has happened in Tunisia since Dec. 18, 2010; around 10 percent of them raised their hands.
The public is encouraged to attend the next recording of “WorldCanvass,” when guests will discuss the counterculture of the ’60s and ’70s. This free program will be from 5 to 7 p.m. Friday in the Senate Chamber of the Old Capitol Museum.
The program will examine the social history of the U.S. during the ’60s and ’70s, a time when youth culture rejected traditional views on everything from patriotism and government to sexuality and recreational drugs. Guests will discuss the movement’s influence on film, theater, art and pop culture in decades to come.
Instead of staring at a PowerPoint presentation, Introduction to International Relations students could soon be gazing onto the beaches of Normandy.
University of Iowa students will no longer have to wade through all their general-education requirements in classrooms overlooking the Pentacrest. Instead, they’ll have the opportunity to take in London, Paris, or Florence.
This article from Inside Higher Ed discusses plans for a new International Knowledge Center in Bangalore, India, which The University of Iowa and other U.S. institutions plan to use partially for recruitment of Indian students.
By Elizabeth Redden
The Trojans have staked out territory all over the world.
The Opera Studies Forum is part of UI International Programs.
By Alyssa Marie Harn, The Daily Iowan
A woman takes the stage dressed in leather boots, a button-up blouse, and a cowgirl hat, riding a live horse. Staples of the Wild West surround Minnie, the cowgirl, as she rides around the stage and belts out her Italian lyrics in the opera La Fanciulla del West.