Join us for the final WorldCanvass of the 2011-2012 season when we consider the connections between art and memory. Memories live and resonate in both the conscious and unconscious spaces of our experience, but art allows for expression that moves beyond simple narrative. How does a poet draw upon memory? What does a masterful printmaker, painter, musician or writer take from his/her own personal experience and what is sheer imagination? Why is art such a powerful medium for the preservation and expression of a community’s cultural memory?
During the week of April 23-27 the UI UNA, Global Health Club, the Food and Water Watch, and Delta Sigma Pi will be sponsoring a week of global citizenship. In honor of UI Global Citizen's week, the Global Health Club formally invites all to attend the Charity:Water Benefit.
The infectious beat and flurried movements of Latin music and dance will take center stage at this year's Gusto Latino.
"There are a lot of diversity events on the University of Iowa campus, but this one is a really great display of dance and music, and it gives the community and the student body a chance to have live, authentic music and be able to experience the dancing talent of people from all over Iowa," said Kimberly Tranel, a graduate student in the University of Iowa International Programs and an organizer of the event.
Lewis Liú relocated from China to the United States with a Hollywood dream. But during his three years in film school, his Hollywood dream met reality.
Liú's M.F.A. film thesis, Drifting in Los Angeles: Chinese Students, Film Schools, and Hollywood Dreams, will be screened at 8 p.m. April 22 in the Bijou. Admission is free and open to the public.
After an expedition to visit his friends who are film students at the University of Southern California, Liú found that film school in Hollywood isn't the heaven young filmmakers imagine. And Californians were treating his Chinese friends as second-class citizens.
Join Salsa Vibe and the UI’s Global Village for a night of salsa dancing, musical performances, and a dance competition at this year’s Gusto Latino. Gusto Latino has been an annual event at the UI for over two decades. It brings together a wide range of students and community members of diverse backgrounds to interact through music, dance, and conversation.
In this presentation, I trace the roots of Japanese reggae from the early 1970s until the present, focusing on the musical productive strategies through which “J-reggae” has come into being. Among these strategies are incorporation of Japanese musical traditions; creative use of the Japanese language (as opposed to patois); and in the way of artistic self-representation, male dancehall performers’ referencing of the figure of the samurai. I argue that these strategies invoke discourses of the traditional that are deeply interlinked with those of modernity in Japan, a modernity shaped by the specter of Western domination that Japanese, like Jamaicans, have long had to negotiate. I focus, however, on the link between these discourses of the traditional and a contemporary ethos of cultural internationalism in recessionary Japan, in which Japanese reggae practitioners imagine global southern countries like Jamaica as simultaneously signs of these artists’ cultural and sociopolitical cosmopolitanism, but also as tradition-bound and thus instructive symbols of Japan’s own potential rebirth.
Madhavapeddi Murthy, Dancers and Orchestra will be in residence April 16-20 within the UI Department of Dance and UI School of Music. Murthy and his troupe will culminate their residency Friday, April 20, with an open lecture demonstration followed by a public performance at the Space Place Theater.
Is there anyone who doesn’t marvel as the next new technological phenomenon rolls off the production line? Whether you like the new gadget and desperately want one for yourself, or whether you think it may be the ruination of all that’s good and true in the world, you’re likely to gasp or shake your head with the realization that what was once beyond even the imagination of ordinary mortals is now a quotidian reality.
The University of Iowa Opera Studies Forum (OSF) in International Programs will conclude its 2011-12 lecture series coordinated with the Metropolitan Opera Live in HD theater screenings Monday, April 9, with a talk on Verdi’s “La Traviata” presented by Roberta M. Marvin. All lectures take place at 5:30 p.m. in the University Capitol Centre conference seminar room 2520D and are free and open to the public.
Please join the African Studies Program for its spring 2012 Baraza lecture series. This lecture series is sponsored by ASP and International Programs.
Stephen J. Rapp of Iowa, the ambassador-at-large heading the Office of Global Criminal Justice in the U.S. Department of State, will give a lecture titled "Diplomacy for Global Justice: The tools for establishing truth, accountability and reconciliation after the commission of mass atrocities." Rapp will speak at 7 p.m. Tuesday, April 3, in the South Room of the Iowa Memorial Union.
The collaborative art project Stir Fry is a mix of people of various cultures and ages that are brought together in a series of structured workshops to tell and transform their stories into art. Please join us for the following workshops:
Autobiography is Another Story: “Lives” in Hindi
Abstract: Hindi has a rich tradition of writing about the self – both in formal autobiography (atmakatha, ap-biti) and in more casual contexts and genres. This talk discusses a dozen works, ranging from self-consciously literary texts to the transcribed memoirs of a provincial station-master. Themes such as family life and childhood memories illuminate these narratives, while darker moments include jail writings by the sometime prime minister Chandrashekhar (imprisoned and released by Indira Gandhi during the Emergency of the 1970s) and by Ramprasad Bismil (imprisoned and executed by the British a half-century earlier). My spotlight is on the stylistics of the narratives: how do the various authors crystalize their sweet and bitter experiences into words and bring them to the printed page?
This new consciousness among vernacular publics highlights corruption at all levels of government and the corporate world, while still resisting the hegemonic discourse of economic growth. The talk looks at the recent populist social mobilization (jan andolans) against corruption and its possible grievance mechanism (Jan Lokpal Movement). It analyzes how an urban democratization movement features a competitive struggle among vernacular publics, and how the state and news media struggle over the legitimacy of alternate politics and vernacular public space, as it moves beyond electoral politics but still calls for democratization and transparency in governance.
We’ve had the melting pot and the tossed salad; now we have the stir-fry. The Stir-Fry Project will happen over the next few weeks at the Senior Center of Iowa City. The project is “a collaborative community art project that explores the stories of people who have resettled to Iowa from different countries through collective works of art.” There are workshops in stop-motion animation, mixed media, and printmaking. Community members may participate. The workshops and materials are free, but pre-registration is required. There will be an opening exhibition of the collaborative work on April 27, and the art will remain on display through May.