This talk examines Hindi film song scenes not only as culture but as mediated expressions of cultural memory. These scenes are performances that call to mind and make expressive use of the historical experiences of Indian film audiences, and they show us film characters acting out India’s popular culture and cultural history.
In an ongoing series from International Programs, we look at connections between the University of Iowa and countries around the world. Our faculty, students, and programs reach far beyond the UI campus. Below are some of the highlights of our connections with Thailand.
A new species of lizard doesn’t come along every day. Even less common is a new lizard species named for a 1960s rock star.
But that’s exactly what University of Iowa paleoanthropologist Russell Ciochon and his co-authors reveal in an article published in the June 5 issue of the journal Proceedings of the Royal Society B.
The study of genetics has come a long way since Gregor Mendel’s groundbreaking work with pea plants in the mid-19th century. To see just how far we’ve come and where research into genetics is taking us, join WorldCanvass host Joan Kjaer and her panel of expert guests on Friday, February 15, at 5 p.m. in the Old Capitol Senate Chamber, when the topic is "Genetics and New Technologies." The program is free and open to the public.
A warm welcome to all of you for the 2012-13 academic year. In this brief note, I’d like to share a few thoughts on International Programs’ goals for the coming year as well as updates on activities and organizational changes.
In this presentation, I trace the roots of Japanese reggae from the early 1970s until the present, focusing on the musical productive strategies through which “J-reggae” has come into being. Among these strategies are incorporation of Japanese musical traditions; creative use of the Japanese language (as opposed to patois); and in the way of artistic self-representation, male dancehall performers’ referencing of the figure of the samurai. I argue that these strategies invoke discourses of the traditional that are deeply interlinked with those of modernity in Japan, a modernity shaped by the specter of Western domination that Japanese, like Jamaicans, have long had to negotiate. I focus, however, on the link between these discourses of the traditional and a contemporary ethos of cultural internationalism in recessionary Japan, in which Japanese reggae practitioners imagine global southern countries like Jamaica as simultaneously signs of these artists’ cultural and sociopolitical cosmopolitanism, but also as tradition-bound and thus instructive symbols of Japan’s own potential rebirth.
The European Studies Group continues its spring 2012 lecture series with a film screening of “The Forgetting Game” followed by a conversation with director Russell Sheaffer at 7 p.m. Tuesday, March 27, in 1117 University Capitol Centre.
On March 11, 2011, a rising tide of dark water wrapped Japan’s northeastern coast.
The world was gripped by Armageddon-invoking scenes from this highly industrialized nation in east Asia.
After the visual impact of the unprecedented tsunami, there came news of nuclear meltdown in the Fukushima nuclear plant. Japan’s vast northeastern coast — the coastal villages as well as sizable inland areas — was nearly destroyed by the hand of the nature.
Japan’s fascinating history, traditions, religious and spiritual expressions, economic achievements, and present-day challenges will be the topic of our next WorldCanvass. Join us at 5 p.m. on March 2 in the Senate Chamber of the Old Capitol Museum in Iowa City for this free event.
UI senior Renugan Raidoo was recently named a 2011 Rhodes Scholar – one of only 32 awardees in the nation and the first Rhodes Scholar at The University of Iowa since 1993.